Date
|
Action
|
Equipment/
props
|
Location
|
Who
|
Edit Film
Poster
|
Mac Computers
Photoshop C3
|
Media Room
|
All
|
|
Final edit
for Film Poster
|
Mac Computers
Photoshop C3
|
Media Room
|
All
|
|
25/02/17
|
Film Sakkaku
Location 2 –
graveyard
|
Camera
Lighting
Costumes-
white gown, boots
sfx make up
|
Bow Graveyard
|
All
Husna, Aniqa
|
26/02/17
|
Extra day for
filming location 2 if needed
|
/
|
/
|
/
|
27/02/17
|
Film location
1
|
Camera
Lighting
Costumes-
white doctor coat, surgical gloves, mask, syringe. White gown
Sfx makeup
|
Medical room
cfgs - Harley grove
|
All
Husna, Aniqa
|
28/02/17
–continuing till finished
|
Editing first
draft
Scene 1-9
|
Mac computers
or laptops
|
Media Room
|
Husna
|
/
|
Editing
second draft
10-22
|
Mac computers
or laptops
|
Media Room
|
Aniqa
|
/
|
Editing third
draft
23-34
|
Mac computers
or laptops
|
Media Room
|
Naima
|
07/03/17
|
Feedback on
editing
|
/
|
/
|
Year 12 media
students
|
/
|
Final editing
|
Mac computers
or laptops
|
Media Room
|
All
|
/
|
Recording for
Radio trailer
|
Radio Room
|
All
|
|
/
|
Editing for
radio trailer
|
Mac computers
|
Media Room
|
All
|
Friday, 24 February 2017
P: Production Schedule
P: Feedback from individuals from the industry
My group and I pitched our ideas to individuals that work in
the industry in order to gain critical feedback. Film score composer, Callum Macintosh and documentary cinematographer and editor at the BBC, Niraj Chag gave us feedback such as that our storyline is too
complicated as our storyline is a student being randomly picked to be kidnapped
as one of mad doctors experiments which took place in japan, however this is
not shown but the kidnapping is suggestive as the protagonist shows signs of
struggle when waking up in a lab room through the shots of the flashback. The
present narrative then takes place in the UK, where the protagonist is free
from the chaos but the time and day from the escape is not revealed, as we want
our film open to interpretation, having an active audience think out our film.
What Callum and Niraj did not understand was how the film background is based in
japan but the present in the UK, as it is like the narrative has something to
do with teleportation.
Another point that was mentioned was that the narrative has
no climax or build up, which we also agree with. We took these feedback into
account and then as a group had another meeting. As a group we decided to clear
up the narrative, we went through multiples of stages of changing our story
completely until coming back to the original, and have only one female actor.
The story line is based on illusions so to create a build up we decided to have
the actor play both protagonist and antagonist, only to reveal the antagonists
face at the very end, arresting enigma. We also decided to not include any
Japanese background to it as it was too ambitious giving the fact we had no Japanese
actors but we still continued to use Japanese horror conventions as part of our
research as we wanted to challenge conventions.
P: Contingency Plan - actors
We decided as a group to change our actors. As we have
trouble sorting a day for filming on a day that our actors are free. So instead
we no longer have a male actor but we replaced the character with a female
actress who will play both protagonist and antagonist. This still follows our
narrative as it’s based on the protagonist’s illusion. So having them have the
same faces will create enigma and make the audience question which character is
the other person’s illusion. It also goes against the conventions of having a
male protagonist/antagonist, making our film female dominated.
Wednesday, 15 February 2017
P: Influences
In my spare time I enjoy watching short films and music videos, seeing the creative ways directors bring their vision to life. When planning on our narrative and how we are going to package it all together in terms of editing a lot of my influences came from these specific creative decision makers.
Low Laundry
I took an interest in Low Laundry's work, the editing and colour grading stood out to me the most and the creative camera shots. Seeing many of their work influenced my key scenes of the film. e.g. the camera shots for running, the quick pace editing, the red filters etc.
David Lin Films
Although, this is not related to my coursework, but these videos gave me an urge to want to be able to create creative products using all types of technology. David Lin production made me take a interest in motion graphics and made me want to explore other areas or media.
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