Self Assessment - G324 | L1 U-F | L2 E-D | L3 C-B | L4 A-A* |
Through research into the medium and genre that you are working in through detailed textual analysis of professional media texts | ||||
Excellent research into the potential target audience, showing a clear understanding of the various ways audiences are grouped and targeted | ||||
Preproduction planning is professional, detailed and tightly focused demonstrating excellence in the breadth and scope of planning | ||||
Innovative and engaging use of new media technologies to record and present research and planning | ||||
Practical work has high production values with attention to detail throughout | ||||
Careful attention to the framing of the subject, this includes depth of field | poster | |||
Controlled use of the camera exhibiting a variety of shot sizes and angles | poster | |||
Close attention to mise-en-scene and cultural signifiers in the text | poster | |||
Recording and editing sound to enhance the visuals | ||||
Closely following the codes and conventions of the medium and the genre, whilst also demonstrating an element of flair and originality | ||||
Considerable attention to detail and a genuine sense of engagement with both the chosen media and the subject matter | ||||
Producing professional standard texts through a developed understanding of production and editing techniques | poster | |||
Control of lighting, through keying, grading and correcting | poster | |||
A variety of camera shots, angles AND movements | poster | |||
Controlling the depth of field to ensure visuals are engaging | poster | |||
Framing that creates meaning and engages the audience | ||||
Applying advances visual effects in post-production | poster | |||
Paying attention to detail such as choice of fonts, use of non-diegetic sound, choice of setting/location | poster | |||
Confidently use a variety of digital media platforms across all stages of your production | ||||
Utilising a wide variety of digital technologies including on-line data collection, social media platforms, uploading content to sharing sites as well as presentational hubs | ||||
Advanced understanding of genre codes and conventions evidenced in visual and technical codes | ||||
Detailed and thorough primary research into your chosen genre through a broad range of textual analyses | ||||
Detailed and thorough primary research into the genre expectations of your target audience | ||||
A confident understanding of secondary research into the use of codes and conventions within the chosen medium, as well as the specific genre conventions | ||||
Clear application of the primary and secondary research within the planning, and the construction of the final product | ||||
A discussion of how the codes and conventions were a factor in the success of the text in the final production evaluation, | ||||
Clear and detailed reference and application of media theorists (such as Steve Neale and David Gauntlett) | genre, narrative |
Monday, 30 January 2017
Self Assesment
Thursday, 12 January 2017
R: Japanese Horror research
Japanese
horror movies lean to a discrete style, a cautious pace, with quiet terror,
often featuring morality tales and tales of vengeance either based on
traditional Japanese stories or rooted in general Japanese cultural mythology (largely
where it comes to ghosts). There is a significant undertone of graphic
exploitation in Japanese genre films as well, showcasing shocking violence and
sexual depravity. They also typically have twisty plotlines and confuse
audiences by not letting them know exactly what is going on. Resulting in
horror films which left the audience guessing right until the end.
Japanese
horror films count on more on psychological horror which is a staple of early
American horror films such as ‘The Haunting’, ‘The Shining’, and ‘Poltergeist’.
These films are often mentioned by Japanese horror directors as their
inspiration. Japanese horror films use folklore, ghost stories, and tales of
honour and allegiance. Many of these movies deal with the breakdown of reality,
family, and the mind dealing mainly with the unexplained.
The
Japanese thriller ‘Ringu’ stimulated the hit American remake ‘The Ring’. ‘The
Ring’ became very successful in the US. After ‘The Ring’ hit big at the box
office, studios looked to Japan more for other horror movies they could remake.
‘Ju-On’ was the next Japanese horror film to be remade. It was titled ‘The
Grudge’ and soon went on to become just as successful at the box office as ‘The
Ring’.
The
telling of the story in Japanese horror is usually told at a slower pace than
American horror. Japanese horror focuses on using more silence and empty spaces
to create a sensation of impending death and doom. Terror is created by
allowing the audience to not know what exactly is going on in these films as
people are always scared the most by what they don’t know or understand. Which is what my group and I are trying to create.
As
Japanese horror films work on a more dreamlike level than what is currently on
the American horror market. They give the sense of not being in control
creating tension and fear which are both vital for a good horror movie.
Wednesday, 11 January 2017
Self –Assessment – a2 COURSEWORK
SKILL
|
LEVEL
|
RAG
|
ACTION
REQUIRED?
|
To apply narrative elements, techniques and theory
to my coursework.
|
4c
|
||
To use narrative theories to analyse my coursework
in detail.
|
4a
|
||
To plan so that product meets audience needs,
demography and psychography.
|
4b
|
Go out and do primary research
|
|
To match content of my coursework to the BBFC
classification given.
|
4b
|
||
To analyse coursework in relation to audience
theories.
|
4c
|
||
To use technical codes (MECS) to communicate
meaning effectively during construction.
|
4b
|
||
To analyse my products in relation to Media
Language.
|
4c
|
||
To apply the theory of Semiotics to my Products.
|
3a
|
Research in semiotics relating to my horror products
and use in my theory work
|
|
To explain and analyse stereotypes and countertypes
in my products.
|
4a
|
||
To explain/justify/ analyse messages, values and
ideologies in my products.
|
4b
|
||
To use conventions of the genre in my products.
|
4a
|
||
To challenge conventions of the genre in my product.
|
4a
|
||
To list icons / describe iconography for each of the
three media forms I am working on in my chosen genre.
|
4b
|
||
To give examples of real products that are linked to
my products in relation Each of the five areas in 1A and the five sections in
1B.
|
4b
|
||
To use a range of Media terminology that is varied,
ambitious and accurate.
|
3a
|
Use media terminology that is suitable for the topic
|
|
To edit in Final Cut, creating intended meanings and
effects.
|
3a
|
To preliminary tasks in order to gain experience and
explore the software.
|
|
To edit in Audacity, creating intended meanings and
effects.
|
3B
|
Use the software for primary and secondary research
|
|
To meet deadlines
|
1a
|
Make a plan to organise my work
|
|
To plan in detail and effectively
|
4b
|
||
To present work with care
|
4c
|
||
To use a range of presentation software
|
4a
|
||
To work in a group
|
4a
|
||
To conduct secondary research
|
4a
|
||
To conduct primary research
|
4b
|
||
To evaluate the success of my product.
|
4c
|
Use academic theories and case studies, use correct terminology and range of articulate reflections on my work to reach level 4
|
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